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Joe Lovano Keeps on Discovering and Surprising

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Tuesday February 19, 2019

From PopMatters

Joe Lovano Keeps on Discovering and Surprising on ‘Trio Tapestry’
By: Will Layman

Joe Lovano keeps on discovering. And surprising.

Although he acquired a “tenor titan” reputation over the years and started his career gigging in top-tier organ groups that required a huge sound (with Jack McDuff and Lonnie Smith), Lovano has also developed into one of our most introspective saxophonists, armed with a tone that can also be a whisper or a confession. The most introspective jazz record label, ECM, has featured Lovano in the groups of other musicians, but Trio Tapestry is his debut for the label. Playing with ECM stalwart pianist Marilyn Crispell and fellow Cleveland native Carmen Castaldi on drums, Lovano has put together a program of minimal tone poems that explore musical space and its relationship to silence.

[…] This band both rises to the occasion of such lyricism and goes beyond it. Lovano’s sound is utterly his own: woody and personal while still gentle and sumptuous. Crispell could never be mistaken for other ECM pianists of fame, whether Keith Jarrett or Bobo Stenson. She is utterly her own through note choice, phrasing, voicing, and rhythmic temperament-creating a voice that feels both still and teetering on the edge of potential energy.

And perhaps that is the difference with this band on ECM. There is never any stillness in this set of performances. They, like composer and saxophonist Joe Lovano, are in a constant state of becoming and evolving. It is music in motion, even if that motion is mostly slow.

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